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Aruma (Sandra deBerduccy) Born in Oruro, Bolivia, in 1976, Aruma is an artist and researcher of textiles and new media. Graduated in Plastic Arts from the Universidad Mayor de San Andrés, she also completed a Master's Degree in Visual Arts at the Federal University of Bahia, Brazil. In 2013, she was associate artist of ESCALA –Essex Collection of Art from Latin America–, United Kingdom. In 2017, she began a collaboration with the “Penélope” project: A Study of Weaving as Technical Mode of Existence, at the Deutsches Museum in Munich, Germany. He has exhibited individually and collectively since 1991 in various national and international exhibitions. His work can be found in collections such as ESCALA, United Kingdom, the National Museum of Art in La Paz, Bolivia, and various private collections around the world. He has also developed workshops and curatorships, among them, Territorio Lupaqa: Art and Technology in the Native Forest and the general curatorship of the VIII SIART International Art Biennial "Heterotopias", Bolivia, 2013. He is currently preparing an exhibition for the Museum of Fine Arts (Santiago, Chile). https://sandradeberduccy.com/projects/engaruma/ Juanqui Arevalo (BO) and Elena Filomeno (PE) Juanqui is an interdisciplinary artist, playwright and dancer. His work oscillates between the borders of conceptual dance, dramaturgy and urban dance. It understands the word as a living and dancing organism, as well as dance as a scriptural entity in space and time. It oscillates, dialogues and operates between the scriptural and the performative, saying and doing, written and spoken words and bodies in action; and its resonances. Elena is a dancer, actress and choreographer born in Peru, she lives in Bolivia. Her research practice invites her to dialogue with biology, science and memory and how choreographic thinking is affected and undisciplined by others. Her creations seek to establish a dialogue with her family past, being a migrant woman, and how it generates possible futures through memory as a tool to create visionary fictions. Both are co-founders of Project BORDER, Research Laboratory for the Scene. Curators of INMATERIAL Residence for Living Arts. Directors and teachers of CUERPOANIMAL, a contemporary dance training space. alfredo coloma Alfredo Coloma is a Bolivian artist. He has a degree in Visual Arts from Université Paris VIII (Paris, France) and an MFA (with honors) from the École Nationale Supérieure de la Photographie d'Arles (Arles, France). She is currently pursuing an MFA in Contemporary Artistic Practices at HEAD - Haute Ecole d'Art et Design de Genève (Geneva, Switzerland). In 2017 he received the Yvon Lambert Prize for Young Creation organized by the Lambert Collection (France). Works between Geneva and La Paz. Juan Fabbri Italo-Bolivian artist, visual anthropologist and curator. He currently works as a Research Professor at the Institute of Anthropological and Archaeological Research of the Universidad Mayor de San Andrés (2016 – present). He was Curator of the Bolivian Pavilion at the 57th Venice Biennale (2017, Italy) and Bienalsur (2019, Argentina). She was part of the organizing team of the “Practical Disobediences” seminar at Tate Exchange (2020, United Kingdom) together with Joselyn Contreras and Rosario Montero. He was Head of Museum and Curator of the National Museum of Art of Bolivia (2016-2019), and worked as Cultural Manager and National Head of Cultural Management of the Cultural Foundation of the Central Bank of Bolivia (2019 – 2021). He collaborates with the Post(s) Magazine of the USFQ College of Communication and Contemporary Arts (Ecuador), the Chilean magazine Visual Anthropology (Chile), and the Anthropological Texts magazine (Bolivia). He is interested in the intersections, links and tensions between anthropology and contemporary art. https://juanfabbri.wordpress.com Grace Maria Gonzales Born in Santa Cruz, Bolivia (1996), she is a visual artist and poet. He is part of the collective “For the Recovery of Memory”. She is a collaborator of the “Freedom Movement” and part of the group “Desembocada”. She was awarded by the XXI International Art Biennial of Santa Cruz de la Sierra (2019). He has participated in various exhibitions in Bolivia including the Biennial of "Contexts" (Cochabamba), Kiosko Gallery and the MAC in Santa Cruz de la Sierra; He also participated in international exhibitions in Chile, Italy and Switzerland. She is the author of Untitled (Army), A editions, 2018. and Circa, Nuevos Clásicos, 2021. https://gracielamariablog.wordpress.com Guely Morato Loredo Born in La Paz, Bolivia. She is a sound artist, curator and researcher. She has directed the Sonandes sound art biennial since 2014, as well as the Gender, Science and Technology Observatory (a platform that reflects on the gender gap in the technological and scientific field). She is in charge of Sound Expressions, a project for the CRC cultural center (La Paz). His work explores alternative methodologies for artistic research and the relationship between science, technology and politics. santiago contreras Born in La Paz, Bolivia (1986), he has a degree in Architecture from the Bolivian Catholic University in La Paz (2010); He also obtained an MFA from the Bauhaus Universität of Weimar (Germany, 2015). His work focuses on the exploration of the common languages and universes between the visual arts and architecture, and also seeks a constant reflection on the processes that allow the matter to be endowed with agencies. He has exhibited in different galleries, museums, performance festivals in Bolivia, Brazil, Argentina, Chile, Cyprus, the United States, Spain and Germany. In 2011 he won the Spain Young Art Award at the VII SIART Biennial, Bolivia. In 2014 he received the Scholarship for Artists from the DAAD (German Academic Exchange Service). He has carried out artistic residences in Cuba, Bolivia, Spain and Argentina. He has also participated in international art clinics and workshops in Spain and Germany. Between 2016 and 2017, he gives workshops for Kiosko gallery and is co-curator of the Training and Artistic Creation Program "Salto al Vacío" (Expresarte 2017). Since 2019, he has been a professor of the Architecture Degree at the Bolivian Catholic University "San Pablo". In 2022, he was selected for the Gasworks (London) artist residency. Lives and works in La Paz. https://santiagocontrerassoux.wordpress.com Ramiro Garavito (Bolivia, 1956) is a philosopher, artist and art critic. He founded the project and cultural space Martadero and the contemporary art contest CONART (CBBA). He was curator in versions III and V of SIART (BO) and jury in the XVI and XVII International Art Biennial of Santa Cruz de la Sierra (GAMSC); “Pedro Domingo Murillo” Award (GAMLP), among others. He has made more than 30 personal and collective exhibitions since 1983, in Venezuela, Bolivia, Argentina, Chile, Germany and Brazil. In 2003, he received the “Best Art Critic, Unique Prize” award from the GAMLP and many other awards over the years. Apart from the numerous articles and texts he has written for the press, exhibition catalogs and memories of cultural events, he has published the books Art, knowledge and uncertainty (A editions, 2022); The art invention. Texts selected 1998-2017 (KIOSKO/AECID, 2019) and has participated in publications such as El video arte en Bolivia (ed. Narda Alvarado, 2010). Currently, he teaches Art History and Aesthetics at the “Man Cesped” Music Conservatory (CBBA) and co-curator of the “Contextos” Biennial of Contemporary Art (BO). Eloisa Paz Prada Born in La Paz, Bolivia (1988), she is an editor, artist and editorial designer. He has participated in collective and individual exhibitions in France, China, the US and Bolivia, since 2014. In 2015, he founded A Ediciones, a publishing house dedicated to contemporary art in Bolivia, which he directs to this day, with more than 25 published titles. Between 2018 and 2021, he was part of the Estudio DOS screen printing studio. He was a member of the “Ojo al charque” Art Observatory (2019-2020), participating in that framework in the Congress of Bolivian Studies, with the presentation “Contemporary art in Santa Cruz de la Sierra”. His graphic work has been selected and exhibited for the Bicebe Poster Biennial (2019 and 2021) and the Ibero-American Design Biennial (2020). He carried out research and art residencies at KIOSKO gallery (Santa Cruz, Bolivia, 2018) and at ALTER (Val d-Anniviers, Switzerland, 2022). Currently, he works as a teacher in the Design Department of the Bolivian Catholic University "San Pablo". ​ www.aediciones.com https://www.instagram.com/eloisa.paz.prada/ Juan Carlos Prudencio Aponte Born in La Paz, Bolivia in 1988, he has lived in Buenos Aires since 2010. Graduated in Combined Arts (UBA). He is a teacher in secondary and higher education in Art History; researcher in cinema and contemporary living arts; producer and performer. He is part of the Intermediality Research Group. Arts, literature and animal husbandry at the National University of the Arts. He produced and programmed scenic content at Club Cultural Matienzo between 2017 and 2019. He is the producer of the series Drama es Acción (2017, 2018, 2019) and Migraciones (2018). Active participant of the live arts collective MARTE and the interdisciplinary group CACHOS. He acted in the stage works A diversified structure, More here, Political Family and Migratory Waves. Cristina Machado Cristina Machicado Murillo (La Paz, Bolivia 1986). Historian, Cultural Manager and Archivist. She worked as a researcher at the Center for Social Research of the Vice Presidency of the Plurinational State of Bolivia and the Institute of Bolivian Studies of the Universidad Mayor de San Andrés. Throughout his professional life he has also coordinated documentary, photographic and bibliographic organization projects, as well as audiovisual productions around cultural activities with the Flavio Machicado Viscarra Foundation (FFMV) and other university and independent spaces such as the Archivo La Paz, Residencia Materia Gray and the Torrico Zamudio Cultural Foundation. https://www.flaviadas.org Rebecca Peace Visual artist and emerging designer, she was born in the city of La Paz, Bolivia. He obtained a higher technical degree in Graphic Design - Print Media from the Le Corbusier school in Illkirsch-Graffenstaden (France); and a Bachelor and Master in Research in Plastic Arts and Contemporary Creation from the Paris 1 University, Panthéon-Sorbonne (France). He assumed the photographic language as a metaphor of his own interests around the image. He participated in the collective exhibitions “Ouverture” (Plateforme, Paris, 2020); “Ces sourdes violences que nos regards entendent” (Jour et Nuit Culture, Paris, 2020); “IMAGO” (Gray Matter, La Paz, 2022). In 2021, he published the photo-book MAGMA (To editions). Currently, he has returned to his country of origin, rethinking his work in that context to develop it from an intimate process of introspection and investigation. https://www.instagram.com/rebepazprada/ Manuel Seoane Bolivian independent documentary photographer. He has participated in several festivals and competitions such as Tbilisi Night of Photography, Lumix Festival, The Fence, Flash Forward, PhotogrVphy Grant, Lucie Foundation Scholarship, Lens-New York Times Portfolio Review and in the Eddie Adams XXXIII. Since 2018 he has been part of the National Geographic Explorers team and that same year he won the Reuters Photojournalism Grant award. In 2019 he was awarded the Pulitzer Center Journalism Fund. He has published and collaborated with The Wall Street Journal (United States), Télérama (France), Huck Magazine (United Kingdom), Die Zeit (Germany), El País (Spain), Clarín (Argentina) and others. He is a member of the Diversify Photo and Everyday Projects collectives. http://www.mnwlswne.com OzZo (Oscar Soza Figueroa) Born in Agua de Castilla, Potosí, in 1985, he obtained a degree in Art from the Universidad Autónoma Gabriel René Moreno (Santa Cruz), specializing in Sculpture and New Media. She is a postgraduate of the Master's in Higher Education at the same institution and the Master's in Research and Artistic Production at the University of Barcelona, Spain, where she began a doctorate in the same career in 2017. In Bolivia, he is a founding member of ARTErias Urbanas, a transdisciplinary collective of young artists who intervene in private or public spaces with painting, installations, performance, among other media. Since 2008, he has exhibited nationally and internationally, in countries such as Argentina, Italy, England, France, Lithuania, Spain and Germany. She has been an art teacher in the Art Career at the “Gabriel René Moreno” Autonomous University and currently teaches in the “Diakonia” Audiovisual Communication Career, Bolivian Catholic University (Santa Cruz, Bolivia). He lives and works in Santa Cruz, Bolivia. https://www.ozzoukumari.com https://soundcloud.com/ozzo_ukumari Serena Vargas Visual artist born in 1990 (Cochabamba, Bolivia). His favorite medium is performance. He develops his work through experience as a vital fluid in the construction of the body/action and its relation to the other as a synchronous reflection in the context, from a transdisciplinary perspective. He has participated in biennials, festivals and collective exhibitions of contemporary art in Bolivia and the USA. In 2018, she joined a transdisciplinary group within the framework of the Textile Creation Laboratory, the final result of which is materialized in the exhibition “ENTRAÑA, the sacred feminine”; of which one of the collective works won the Acquisition Prize of the X SIART Art Biennial (La Paz, Bolivia). Her most recent individual exhibition was "I'm not crazy, I'm a cyborg" (MNA, La Paz, 2021). https://artserenamorena.wordpress.com Maximiliano Sinani Born in La Paz (1989), he is a Bolivian visual artist. He studied architecture at the Universidad Mayor de San Andrés (La Paz, Bolivia) and continued his studies at the School of Visual Arts (New York, USA). Siñani co-founded the 67 gallery in New York (2015). He has exhibited at the Museo del Barrio (NY), the National Museum of Art (Bolivia), Era Aurora (Torino), Bolivian biennials, among others. He has been awarded the Sylvia Lipson Allen Memorial Award and first prize at the XIX Santa Cruz Biennial of Visual Arts. He did residencies at KIOSKO Galería (Santa Cruz, Bolivia), ISCP (Brooklyn), and CRIPTA747 (Torino). His work has been published in the magazines Disonare, Arte al Limite and by Bukow Press and A editions. Currently doing a Master of Arts (Frankfurt). https://maximilianosinani.com liliana zapata Visual artist born in La Paz (1986). He studied at the National Academy of Fine Arts "Hernando Siles" (La Paz), graduating with a mention in Sculpture. In 2008 he studied at the École Supérieure des Beaux-Arts du Mans, France. He won the Prize in the specialty "Other media" (LIX Municipal Hall of Plastic Arts "Pedro Domingo Murillo"); the Second Prize of the Young Art Contest “Expresarte”; Young Award of the Emerging Art Fair JUSTMAD, which gave him the opportunity to present SILENT METAMORPHOSIS at the Mustang Art Gallery (MAG) in Elche, Spain in 2015; EMERGING BOLIVIAN ARTIST AWARD in London (2015). As part of this achievement, he presented his project Estudio de papel at the ALTITUDE THREADS exhibition, London, 2015. In 2013, INCISIONES was his first individual exhibition at the National Museum of Art (Bolivia). In 2016, the exhibition CONSTELACIONES un punto opens. a place in NUBE Gallery, Santa Cruz (Bolivia) and in La Gallerie (French Alliance, La Paz). He recently had several individual and collective exhibitions in Spain. He lives and works in the Canary Islands. https://www.artsy.net/artist/liliana-zapata https://www.instagram.com/lili.zapata.zelada/ Marisabel Villagomez She was born in La Paz in 1976. She is a postgraduate graduate (ABD) from Georgetown University in Contemporary Latin American History. He directs a Presidio of the Unesco Chair of the University of Basilicata in which he develops research on the cultural landscape of the coca leaf. She is curator of the exhibitions “Lo Normal” (2016) and “Illimani InSitu” (2019).

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1/3 Title: MAGMA Author(s): Rebeca Paz Format: 15x22cm Language(s): contains no text Publisher/co-editor: A editions Year of publication: 2021 ​ Status: Available Synopsis: Photobook that reviews the visuality of the body in the urban space of La Paz. 1/3 Title: Off the field Author(s): Fabrizzio Villarreal Format: 18x24cm Language(s): contains no text Publisher/co-editor: A editions Year of publication: 2022 ​ Status: Available Synopsis: Photobook that offers us, as a point of view, what goes unnoticed or is taken for granted in the urban space of the city of La Paz. Forcing us to stop looking at them, reading results in an experience of a certain wasted beauty. 1/5 Title: PRESTE (coming soon) Author(s): Manuel Seoane Format: 24x32cm Language(s): Spanish / English Publisher/co-editor: A editions Year of publication: 2022 ​ Status: To be published this year Synopsis: As an event in itself, PRESTE is a photobook that invites us to appreciate everything that surrounds and accompanies the patron saint festivities of La Paz, from the most imperceptible –such as the traces left behind by the dance–, to the most relevant.

1/2 Title: Maximiliano Sinani. Erotic trilogy and its yapa Author(s): Juan Carlos Prudencio, Paul Lemarquis Collection: “Early Portraits” Language(s): Spanish / English Format: 14x21cm Publisher/co-publisher: A Ediciones / KIOSKO Gallery Year of publication: 2016 Status: Available Synopsis: Monograph dedicated to the work of the emerging artist Maximiliano Siñani (La Paz). It includes an interview, a critical text and the registry of selected works. 1/2 Title: Jaime Achocalla. visual bridges Author(s): Ramiro Garavito, Sergio Gareca Collection: “Early Portraits” Language(s): Spanish / English Format: 14x21cm Publisher/co-publisher: A Ediciones / KIOSKO Gallery Year of publication: 2016 Status: Sold Out Synopsis: Monograph dedicated to the work of the emerging artist Jaime Achocalla (Oruro). It includes an interview, a critical text and the registry of selected works. Title: Liliana Zapata. paper monument Author(s): Francis Naranjo, Andoro Chahín, María Riveros, et al. Collection: “Early Portraits” Language(s): Spanish / English Format: 14x21cm Publisher/co-publisher: A Ediciones / KIOSKO Gallery Year of publication: 2016 Status: Available Synopsis: Monograph dedicated to the work of the emerging artist Liliana Zapata (La Paz). It includes two interviews, a critical text and the registry of selected works. 1/3 Title: OzZo. Cognitive Author(s): Sandra de Berduccy, Laura Baigorri, oZzo Collection: “Early Portraits” Language(s): Spanish / English Format: 14x21cm Publisher/co-publisher: A Ediciones / KIOSKO Gallery Year of publication: 2017 Status: Available Synopsis: Monograph dedicated to the work of the emerging artist from Potosí oZzo (Oscar Octavio Soza Figueroa). It includes a chat-interview, a critical text, a summary of the artist's doctoral research, and a list of selected works. 1/3 Title: What is art? in Cochabamba Author(s): Serena Vargas Language(s): Spanish Format: 13x15cm Publisher/co-editor: A editions Year of publication: 2017 Status: Sold Out Synopsis: critical text about a collective exhibition that took place in the city of Cochabamba, in 2017. It was called "What is art?", which caused a lot of controversy... Title: Maximiliano Sinani. trade union Author(s): Juan Fabbri, Narda Alvarado, Marisabel Villagómez Language(s): Spanish Format: 13x15cm Publisher/co-editor: A editions Year of publication: 2019 Status: Available Synopsis: theoretical notebook that brings together 3 texts about the trade union exhibition, by Maximiliano Siñani, at the National Museum of Art (Bolivia), 2019, with special focus on the installation Sumaj Urku, which consisted of a "mountain" of mixture (confetti). Title: Art, knowledge and uncertainty Author(s): Ramiro Garavito Format: 14x21cm Language(s): Spanish Publisher/co-editor: A editions Year of publication: 2022 Status: Available Synopsis: With this philosophical essay, accessible to a wide audience, Ramiro Garavito weaves together various questions and reflections on the human condition –subjugated to unprecedented levels of uncertainty– and current art as a form of knowledge. His reflection is enriched with reviews of notions that have dialogued with art and science over time – truth, reality, perception – which contributes to clarifying the potential of contemporary artistic work. It is an invaluable text, especially in universal terms; however, the author also comments, for example, on the predetermined place that the western(ized) gaze gives to artists from the periphery.

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A Ediciones is a sole proprietorship publishing house that produces three to five annual publications. Founded in 2015, by Eloísa Paz Prada, it specializes in publishing and disseminating Bolivian contemporary art content, which can include various sub-genres around art. As specific approaches, it is dedicated to promoting the artist's book in Bolivia and constant research on the Bolivian art scene. In this sense, a pedagogical vein has been developed in favor of the training of audiences and artists, which frequently includes talks, workshops, laboratories and mediation in general. It is characterized by its printed publications, with an artisanal or experimental touch in terms of the use of various printing and finishing techniques; however, it is not always limited to this due to the priority need in Bolivia to disseminate the aforementioned content and the recent change in the condition of human health, which has led us to adapt to new formats and possibilities within the framework of the publication.

1/2 Title: Bibliography for your trivial questions Author(s): Carmen Fonseca Language(s): Spanish Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2017 Status: Available Synopsis: Fanzine that brings together 14 books with titles invented by the author. These have a humorous and autobiographical touch; however, they seem to evoke situations very familiar to any reader. Title: Cambodromo Author(s): Eloísa Paz Prada (compiler) Language(s): Spanish Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2018 Status: Available Synopsis: Fanzine made within the framework of a research residency at KIOSKO Galería. It brings together excerpts from interviews with art professionals from Santa Cruz de la Sierra, who critically comment on the local art scene. Title: What then is “contemporary art”? Author(s): Eloísa Paz Prada (compiler) Language(s): Spanish Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2018 Status: Available Synopsis: Fanzine made within the framework of the exhibition Fragmentos de una historia inédita. Contemporary art in Santa Cruz (La Galerie, Alliance Française – La Paz, 2018). It compiles quotes from various art professionals – from various countries – that define different aspects of contemporary art. 1/3 Title: Hollows Author(s): Alfredo Coloma Language(s): contains no text Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2019 Status: Available Synopsis: This fanzine mimics the format of a traditional photobook. However, the original purpose of the images has no aesthetic intention, but rather corresponds to a social claim: they are recent publications of residents of the city of La Paz, evidencing the poor condition of the streets of their neighborhoods in groups From Facebook. 1/3 Title: Unlimited Supply Author(s): Alfredo Coloma Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2019 Status: Available Synopsis: "What attracted me to the images of [cocaine] seizures published by the Bolivian media is how abundant they have become, to the point of going unnoticed. They represent the only instance in which the global circulation of the drug is makes it concrete and visible. Reactivating its circulation through a fanzine seeks to produce an analogy with this cycle." - Alfred Coloma. 1/3 Title: March for the Simpsons Author(s): Alfredo Coloma Language(s): contains no text Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2019 Status: Sold Out Synopsis: This fanzine gathers documentation of a peaceful march that took place in February 2015, in the city of La Paz, in protest against a change in the broadcast schedules of the American series (national channel). Being a fan of The Simpsons and living abroad, the artist offers us this reading of images "to commemorate a protest that is so absurd and, at the same time, so appropriate for our city." 1/3 Title: Bolivian Police Author(s): Alfredo Coloma Language(s): contains no text Format: 14x21cm Publisher/co-editor: A editions Year of publication: 2019 Status: Available Synopsis: In this fanzine, the images of crashed patrol cars have an almost surreal effect. Their redundancy suggests a somber humor and, when contemplating them, we repeat in a certain way the attitude of perplexity and helplessness before the facts of the spectators who appear in them... Title: What is an artist's book? Author(s): Eloísa Paz Prada (compiler) Format: 14x21cm Language(s): Spanish Publisher/co-editor: A editions Year of publication: 2021 Status: Available Synopsis: Photobook that reviews the visuality of the body in the urban space of La Paz.

Title: Found Sculptures Author(s): Eloisa Paz Prada Language(s): contains no text Format: 21 x21 cm Publisher/co-editor: A editions Year of publication: 2015 Status: Available Synopsis: Photobook that brings together portraits of commercial stalls in the urban space of La Paz. At night, these bundles tied with plastic, various strings or other materials are characterized by their own aesthetic. Found Sculptures invites the reader to see what has become common urban furniture, like a sculpture. 1/3 Title: Sky Sketches Author(s): Eloisa Paz Prada Language(s): contains no text Format: 10x13cm Publisher/co-editor: A editions Year of publication: 2015 Status: Sold Out Synopsis: The 40 drawings that make up this artist's book can be seen in what appears to be a small sketchbook. In reality, these are photographs of wiring and other materials that fill the often cloudy sky of Shanghai. 1/4 Title: City of Clay Author(s): Eloisa Paz Prada Language(s): contains no text Format: 13.5x22cm Publisher/co-editor: A editions Year of publication: 2015 ​ Status: Sold Out ​ Synopsis: This interactive and durational work is an installation and an artist's book at the same time – it was part of the individual exhibition “City of clay”, Espacio Simón I. Patiño, 2015, La Paz -. It metaphorically embodied the idea of a malleable city. 300 copies, with the same format as the emblematic brick of the department of La Paz (and also of the same tonality) were installed on a wide wall; the entire edition then formed a wall that disintegrated for a month, as the public took away the copies, free of charge. 1/3 Title: Untitled (army) Author(s): Graciela González Language(s): contains no text Format: 12x15cm Publisher/co-publisher: A Ediciones / Gran Elefante Year of publication: 2018 Status: Available Synopsis: Artist's typed book that superimposes the notions of poems and army. 1/2 Title: 5458 Author(s): Santiago Contreras Soux Language(s): Spanish Format: 20x20cm Publisher/co-publisher: A Ediciones / Gran Elefante Year of publication: 2018 Status: Sold Out Synopsis: On February 6, 2018, at the headwaters of the Jilusaya River (Valle de las Ánimas canyon, La Paz), the artist chose a group of 40 stones that, after being measured, weighed and documented, were wrapped in leaves. of paper. They were then transported up the mountain to be relocated in the adjoining valley, where the artist placed them forming a small cobblestone on the surface of the Cañada beach. Each of the paper wrappers became a support and document for the stones and the story that is read. The total grammage of 5448 is the sum of the weight of all the stones that the artist relocated on his walk. Each of the stones corresponds to a copy of this edition. The publication includes photographs and a pseudo-scientific text by the artist. Title: The Book of Impossible Books Author(s): Ligia D'Andrea, Ivannova Gutiérrez, Erika Ewel, Lulhy Cardozo, Pablo Aguirre, Sheep María, et al. Format: 9x25cm Publisher/co-publisher: A Ediciones / Luz de Luna Editores Year of publication: 2020 Status: Sold Out Synopsis: Collective artist's book, conceived within the framework of the cultural laboratory "Cartografías artist's book LAB" -taught at Persona Casa Galería, La Paz-, which brings together 10 texts by the 10 participating artists. It is a creative exercise that consisted of imagining an impossible book and writing its description.